Claudia de la Torre’s works often start from a book. She examines the structure and relationship between the surfaces and forms – the book covers, titles, the layout of the individual pages. By means of appropriation and dé- tournement, her work often takes the form of an artist book, a library or an archive. How is our knowledge of the world organized, classified and archived? What are the underlying systems of our knowledge? How do we approach what we learn of the world? For her new work ‘Cities in Flight or The Satellite Variations’, de la Torre takes James Blish’s science fiction novel as a starting point to examine the structure of story-telling and to build up a parallel narrative to the one evident in the story. Text: Nadja Quante